RED IS THE NEW BLACK

Avatarrandom rantings and rabid retorts of a socially-retarded, decidedly high-strung, renewed romantic

music and madness II


After silence, that which comes nearest to expressing the inexpressible is music.
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Aldous Huxley

Music is the distillation of emotion. It is the parchment by which sentiment is laid, its lyrics the aphorisms of the history of the heart, and the melody and tune the embellishment of this narrative. To expound by way of music is as emotional as it is terse. Music is able to encompass, explain, embrace and empower the human condition into the medium of art. It unfolds with intent, and directs without restraint.

genius loci


Our experience of culture is dependent on various parameters. But for a culture to be distinctly experienced, a delineation that cannot be empirically qualified, the greater challenge is establishing the sense of identity of a culture, or its society. For a culture to be a living, breathing, evolving one, its proponents or the population that it encompasses must find association with it. To associate then is to claim; to know without doubt or hesitation, ambiguity or irreverence, that this consciousness is the rhythm that defines their beat.

quotidian quote XII - for j

And in the end, it's not the years in your life that count.
It's the life in your years.
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Abraham Lincoln


Image from here.

discrimi-nation



Free will is a double-edged sword. It has the capacity, in the same breadth and intensity, to create order and unity as it does bigotry and secernment. To choose one over the latter precludes a cognizance beyond simply being either tolerant or discretionary. In the context of free will, discretion in its essential form cannot exist without acceptance. They are antithetical concepts of one another, sides of the same coin of the human consciousness. It is in our responsible and mindful methods that both can be actualized for the most positive and humane of outcomes.

quotidian quote XI - for j & j


Sometimes, when someone's worth it, you just have to put yourself out there.
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Susan Heffley
Diary of a Wimpy Kid
April 2010, Color Force

It is elusive. If it weren’t, its value would not be as vast. But often, because of failed histories, and antagonistic anxieties, we choose to put up walls to protect our hearts. Creating citadels of indifference, with the nuances of detachment, defensiveness and defeatism; we become beacons of our own banishment. Creating cocoons out of cobwebs, of mangling memories meant to be mended.

incredulous/ credibility



Listen to yourself. This escalating level of self-deprecation is all too disconcerting. To rally against fate with her supposed transgressions is a grave misunderstanding of what she truly has conspired to afford you. Do not presume that just because solitude has been your longstanding companion that there were no attempts on her part to bring you positive syzygies. Lest you assume that the emotionality your portray is meant to mask a deeper, grander scheme, then I must abide by this charade you play.

apocalypsis II

In response to end of days.
Continued from apocalypsis I.


So I sat beside him.

Having no impulsion to assert my presence, I made do with just the act of being near him, with him. When mere millimeters of space defined our gap, it felt like he was in a place so distant, and removed from this, from here, from now. I wanted to be in that place, in his mind. To reside in the expanse of his ideas that seemed to consume his eyes. But here I was, a stuttering fool, without even the decency to ask for the permission of sitting beside him.

His mug lay empty nearby. A necessary detail that remained unnoticed. Well, nothing to lose. So I took the mug. In any case, I’m getting my own cup anyway. And seeing how he’s so engrossed in his book, it would be sacrilegious to ask or even point it out. With our mugs in tow, I went down to find the line at the counter deserted. Looks like sizygy does happen in real life. I hurried back upstairs to that outdoor balcony to find him holding my book at the page where I left it, and him continually reading his own tome. Like a choreographed dance, I reached out my hand to retrieve my book from him, while offering the freshly filled mug with the other. He looked up, reached out for his caffeine, and smiled.

Such a sweet, sweet smile.

aegri somnia II

Livid lungs lusting lucidly
an airy ascendant antithetical aspiration,
the tired trajectory of this travesty
weakened, weary and worrisome.

finicky friday

I wanna dance. So bad.

My limbs, salivating in-place. Longing for the wanton inebriation of the swaying of hips, the poetry of skin touching, caressing, scintillating. Please, let me dance. An invitation, an offer, any of those. Just so I would forget. And hopefully, won't regret.

flux ex machina

Which do you pick?

The absolute irrevocability of confrontation, or the amorphous conviction of circumspection? The complete and exacting full stop, or the contemplative prolonged limbo?

Is it more masculine to own up to one's feelings, or to respect boundaries? Will it still be a gift when the receiver refuses its translation? Will transcending the lines validate the emotion, or will it only create the breach that seals its downfall?

sprained/ spared

6:48 PM A stroll at the Ayala Triangle Gardens.

It was the same decades-old sidewalk, paved in worn concrete; the same indistinct skyline glittered in its fluorescent fury; the same stillness of a transient city. It was, in many ways, omnipresent, unequivocal and perseverant. But, there was a sensation of astral interjection, a weightless freefall that unnerved, and I could not dispense the imbalance of my own senses.

apocalypsis I

In response to end of days.


It was a Saturday.

And like most Saturdays, I found my weary feet dragging my tired soul into that respite of intellect and entertainment that affords me to suspend my cumbersome realities, the bookstore. In its hallowed halls and scarred stacks I seek the sanctum sanctorum of my imagination. In the tomes of geniuses past and present I achieve the impossible. The unbelievable. The unfathomable. There, where the world ceases its hurried revolutions, and time is but a memory of little efficacy, I bury my thoughts, purge my emotions, and divulge my mind.

Once again, the fiction section found me lost in volumes of worlds achievable, and dreams plausible. Unlike most Saturdays though, I found myself in the company of another whose preoccupation with the absurd and fantastic threatens to rival my own. The memory of that afternoon eludes me now, shifty and effervescent in the annals of my narrative. All I could muster to reclaim are the innocuous details that swayed my attention. His brisk confident walk, the gait that betrays his stature, and the precarious method he held his cigarette.

morose monday

There is serenity in waiting. How solitude lulls the passing of time, of feeling, of longing. It's not conceding, but rather accepting. That syzygy can happen, when we leave fate to do her weaving. That by releasing our wishes to the winds like a Zoroastrian effigy, we let go of the burden, and discomfort that deciding prescribes. Because certain things are intangible, inexact and ambiguous that to try to grasp it would be like holding sand in your palms.

curtain call


Exactly a month from now, I will be officially unemployed.

The repercussions are overwhelming at the moment, and my options are pretty much close to nil. The novel Things Fall Apart comes to mind. The firm that I am currently working for will most probably be folding, as no new projects are coming in. Which means, most of the staff here have been loitering and gossiping among themselves for the past couple of months. The projects that I'm currently handling are the last ones the firm has. Beyond this, when these projects are done, so is the firm.

quotidian quote X

 
A single yes, is equivalent to a thousand no's.
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Bianca Oliganza
on Boys' Night Out, Magic 89.9



Image from here.

noon and night


Will you catch me?

Like frail confetti thrown to the wind,
blown into space, caught by your eyes?
Little fragments of a missing whole,
assembled into the nothingness,
a volume, a sentiment, amorphous and astute.

new blood


You didn't see it in my smile. The confident way I held my cigarette, as I tipped my cocktail to take a generous sip. But it was there. It was brewing, bubbling, beaming through the hazed vision of my eyes.

It was fear.

I was afraid. Of you. Of what you are becoming, and what you have become so far. I wish now I that could take back the words I said. The theories I made to make sense of your situation. Because it was me, in my nature, to make sense of things. It was an inherent flaw. How being right felt so wrong. Because right now, I don't want to be right. Because you, who you are, is slowly becoming wrong.

I see it. Nuanced and subtle. The transformation that spells a change. A catalyst that leads to an evolution.

I don't blame you, though. You're young, and exploring this newfound confidence gives you impetus, and license, to create the man you wish to be. The man you feel you should be.

I'm afraid because I've seen it happen to others. And I too went through something similar, years back. When I had no precedent to contrast and compare with. When I had no mentors to keep me grounded. But I am not your mentor. I'm merely a classmate. A passenger in your journey, an occasional companion. Your sputnik in silence.

I'm a spectator.

So I kept silent. And observed.

“Ang sarap. Hindi ako makatulog pagkatapos.”
“Yun ba ang objective mo?”
“Hindi naman. Pero I had it in mind.”
“Kung nag-enjoy ka, tama na yung dahilan.”
“Parang yung sinabi mo dati.”
“Predator?”
"Oo." 
“Basta ingat lang. Alam mo naman kung hanggang saan ka.” 
“Yun ang hindi ko masagot ngayon.”

I smiled. Because, at some level, I was happy for you.
You smiled too. But it was a different smile. Everything about it was. Everything about you was.

How the glint of your eyes was luminescent with a different intensity. How your being glowed with a sensual awakening. How your smile no longer warmed, but inflamed. How every mannerism and gesture was now taut, bursting, owning. Because you may have the same shell, but the soul is different.

Maybe you knew it too. And was equally afraid.

That that future is now a heartbeat away.

But, I couldn't tell.



Image from here.

quotidian quote IX - for the hopeless romantic


Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending.

Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave.

And maybe a happy ending doesn't include a guy,
maybe it's you,
on your own,
picking up the pieces and starting over,
freeing yourself up for something better in the future.

Maybe the happy ending is just moving on.

Or maybe the happy ending is this,
knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment

you never gave up hope.



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Gigi Phillips
He's Just Not That Into You
2009 February New Line Cinema
Image from here.

maybe/ may it be

Maybe you want it too, the same way I did. Maybe I had but only a chance to say it, and my own anxiety failed me. I could’ve claimed it, professed it. But I didn’t.

I’m weak. Much weaker than you could imagine. Much more human than what my words would illustrate. Now regrets blanket me, the sole warmth that spell a tale that never got played. Maybe tomorrow would be different. Maybe I won’t be the same person, or you won’t be there to remind me of my own shortcomings.

But for all its worth, I really did want to.

tuwing umuulan



Alintana ko ang lamig sa bawat hagupit ng kalangitan. Mumunting butil ng luhang pumapatak, kumakatok, sa lalim ng aking pagkatao. Nagsusumamo, isang paalala, na patalikod na hinuhugot ang lungkot na wari ko’y limot na. Ngunit, kapag ang langit ay dumadampi sa lamig ng aking pisngi, ay umaagos muli bilang bukal. Mahinahon at panatag, lumulublob, malinaw, umaagos. Nagbabago, paunti-unti at pataksil, bilang isang rumaragasang ilog. Walang pakundangan, mapusok at hindi mapigil.

Sa lilim ng mga tala, samu’t-saring nakaligtaang alaala ang bumabalot sa aking kaibuturan, bumabaon sa kalamnan. Ang pagbuhos ng ulan ang malungkot at mapagkutyang heleng yayakap sa akin. Paglatag ng aking pagod na katawan sa init ng higaang buong araw kong pinangarap, aagos ang dilim sa pagbuhos ng kanyang sandakot na biyaya.

Walang isang tao, o panahon, oras o lugar, walang natatanging alaala, ang bubuo at aamin. Ngunit hindi ko maitatanggi na kapag ang ulan ay nagbabadya, bumabalik sila, bawa’t isa, mapanglaw at marikit, mga alaalang hindi mahagilap, ayaw magkubli. At sa kanilang pagbisita, ako’y matutulala.

Unti-unti, ang mga patak ng ulan ay sasabay sa indayog ng mga alaalang lalandi, lulusong, lalantad, sa aking ulirat. Isang sayaw ng sumpa na sasanib, hanggang ako mismo ay magiging isa sa ulan. Sa alat ng luhang papatak mula sa aking mga mata. Aagos sa unang walang kibo, walang sagot, hahagkan ko sa paglatag ng araw.

Bukas, mamaya, titila din ang ulan.



Image by author.

to define a man


The opposite of courage in our society is not cowardice, it is conformity.
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Rollo May

To come out is to claim it. To profess with little regard, and even with brash pride, the disagreement of our preference with the norm. But to do so would entail that the norm is absolute, or that to be normal is aspirational. The precept of free will is its inherent acceptance, albeit embracing, of individualism. It is no less human to be homosexual than it is to be heterosexual. In fact, both could be disruptive and impeding in certain circumstances. What is absolute is emotion, feeling, and attraction. The ability of one to feel for, and of, another. This makes him human. And whether that someone is of the same sex is inconsequential.

Gender is a conception. A method and a label. A mere tool to create order, and by thus making the idea of it easily comprehensible. But where labels fail is when society defines the semiotics of these labels. Thus leading to discrimination, and bigotry. To come out and claim this label is to subject oneself to the connotations it encloses. So to say that I am gay is conceding to a misnomer, and a misconception. To belie the fact that I am much more than the preference I consume. Much, much more. I'm not a heterosexual, true, but I am also not just a homosexual.

The facets of a gem do not define its brilliance.
I am not compelled to profess it. Is there a need to? But if asked, my honesty would be provided. But I refuse to be simplified into a word without dimension. I am a myriad of things, none by any far capacity can fully expound on my totality. I am a mind, and a heart, a psyche and a body, I am my beliefs, and passions, my talents and my actions. I am a man, who just happens to fancy other men.

In a perfect world, the capacity to love, or simply attraction, should be enough. But we do not inhabit a perfect world, and to long for a utopian reality is a fodder all human beings pine for, in the spectrum of both homosexual and heterosexual inclinations. Who is to say that our discrimination is any greater, or more absolute, than those of others? We are beings of thought, and to believe that perfection, total acceptance, is achievable in this lifetime is akin to saying that we can undo the wreckage of our race on the environment in the very same breathe. We can't.

But we can choose to live our lives with the decency of our own humanity.



Image from here.
In answer to Theorgy - Coming Out.

faerie friday



I.

The invitation that came from Ilumigen to the Court of the Celestials last Friday was surprising and welcomed. To be asked presence in the Enchanted Forest is a great honor. With neither an idea of what to expect, nor persuasions to visit a locale that may remind me of recently failed faerie tales, I went ahead and headed north of the border; to the land of milk and barley, honey and homies: The Lothlorien of the Vespertines.

The Enchanted Forest was intimate that evening. I was a mere hobbit lost in its dense woods, but I found company with Ilumigen, the midnight mist, Athednae, the bearer of truth, and Jaceun, the young sprite. Later on that evening the Gemini of Coriolis, the keeper of Knossos, and Lustern, the oracle of orbits, arrived, imbibing our conversations with their dynamic presence. Finding no Middle Earth, I was initially reserved, a silent spectator. It was awkward, it always is, finding rapport with a new crowd, knowing that they’re held at such high esteem by Ilumigen. I wanted to be respectful of the company. Their lively banter and affectations, and shared narratives weaved the filaments of the Court of Celestials' enduring camaraderie, loyalty and friendship. I felt humbled, and yes grateful, to be in their presence.

But soon, I found myself jovial and conversant. Sharing stories and sentiments, perspectives and propositions with the Court of Celestials. The vibrant laughter of that evening could only be heightened by the breadth of the topics we covered. I discovered that the Enchanted Forest was no mythic deciduous thicket, clandestine and sublime, but a welcoming tropic, varied and symbiotic. And I was a seed, nurtured and welcomed by its rich humus of acceptance.

A few hours later, the vessels laid empty across the table, we found ourselves drawing the evening to a close. Thanking Athednae and Jaceun and bidding them farewell, and agreeing with Coriolis and Lustern that it was too brief, we concluded with warm embraces and appreciative anecdotes. It was swift, yet saccharine. One cannot help but be moved.

To the Court of Celestials, my deepest thanks. May the Enchanted Forest remain as verdant and vigorous.


II.

With the evening’s infancy and our spirits elevated, Ilumigen and I decided to walk. Prying the path that lead to the clearing of the woods, we found ourselves recounting and revisiting the events that transpired that day. How the coming eons seemed amorphous and full of potential. Establishing the lessons we learned from our own histories, and the wisdom it imparts on how to nurture the future into fruition. Fears were shared, and abated. Options were laid out and assessed. We both had decisions that tested our convictions, but the dialectic proved that possibility and commitment can go hand in hand. That by pursuing what one wanted, and doing what needed to be actualized, we can create our own possibilities.

Our bond was renewed and fortified, in the light of La Luna, and in light of his new moon.


III.

“Are you going home?” Ilumigen asked.
“I don’t want to. Not yet. My body is craving the faerie ring.” I replied.
“You should.”

And I did. With him as my companion, and my keeper for the night, we took the swift winds to the west, where the shores intersect with the shades. Shortly, I found myself in the place I used to call home. My former dominion of segues and séances, of alcohol and allure, where my body was my voice, and the music my muse.

I knew that soon Ilumigen’s pace will change, and his situation will become different, his company becoming a rarity. In a way, it too was a last hurrah for him. A homecoming for the prodigal son, and a farewell to the longtime resident. The homecoming was bittersweet. His path will digress to seek happiness of a different brand, while I am faced with the taste of a drug I used to be a recidivist of. He was evolving, I was atavistic.

His pedagogical guidance briefed me of the situation. The faerie ring has changed tremendously. It seemed almost unrecognizable since my last foray into its embers over half a decade ago. Yet it was also vaguely familiar. For I too have changed. Gone is the physique of a shaman, the posture of a sprite. But the thirst for its mused meanderings was reincarnated in this weak shell, unwavering and voracious. Although I am but a shadow of my former self, Ilumigen reminded me, that it was still me. Beneath this form, this body, this present, it was still me.

So I danced.

And without meaning to, beyond my own volition and discretion, saltine tears started flowing down my ample cheeks. Like an ode to a bygone era, an acknowledgement of the pain of our long hiatus and sore yearning, I welcomed the faerie ring a new man. A different man. The god of gyrations now a mere mortal, human in all its vulnerable repercussions. The distanciation of time and oblivion now cleansed. I embraced the dark and dank, the smoke and mirrors, the anarchy and euphoria, of the dance macabre that lured me before.

Once again, I was as faceless as the crowd, singing cantatas of the carnal with every heave of my wholeness, and only Ilumigen would attest to the cathartic calisthenics of my own conception. Yet unlike before, the objective was different. The dance was not a mating call but an affirmation. The jive was a gesture of acceptance, rather than an invitation to the illicit. As the night wore on, the faceless crowd morphed and evolved. Each warm body seeking another for warmth, for bearing, for affection, sifting and shifting they began to pare and pair, creating pockets of unions. But I stood my ground. I needed to heed the call of my soul. Three curious souls attempted, and I willingly accepted the invitation to match their rhythm with the beat of my bends, but they soon grew tired of my stamina and detachment. One by one, one after another, they searched the ring for a requited and receptive romp. And I persevered.

It was euphoric. Holding my vessel of poison in one hand, and caressing my landscape with the other, I painted panoramas of space synchronized with the sound of the bass. The beats melded into mutated silences, punctuated by semblances of music and mayhem. And in those short syncopated silences I lingered, nestled in the bosoms of my hermitic hell. Sweat pouring down my garb as the morning approached. Ilumigen stood watch as I lost myself in the effervescence of the faerie ring, becoming one and none.

It was past the witching hour when we decided to leave. As we found our way through the throngs of drenched bodies, I couldn’t help but smile at each of them. An acknowledgement that went unrequited. But it didn’t matter. I had my fill. And I claimed that small real estate of the ring like I did years ago, in a different life. I did, and still do, dance to the beat of my own drum. And that night, my drum beat with the resonant confidence pent up and bottled all these years. An assertion of individuality, a profession of my humanity. The need to explore, to feel, to be lost, and be primal. The thirst to suspend the movement of time, into increments of notes and beats.

It may take a while for me to return to the ring, I still question now if I was already ready to partake in the bacchanalia again. It may be soon, or may not at all. But this I know, something within me was awaken that night. A glint of the divine. I only wish that when I do return, I would be with a partner before its gates. One I own, and who owns me. And we would create beautiful music with our bodies. But for now, it sufficed.

To Ilumigen, I am indebted. And elated.




Image from here.

neverthere


In a room with no walls, where light is felt but not seen, a child slumbers peaceful. Lying in fetal and strewn across crumpled heaps, he dreams lucid and exquisite visions. Blanketed by a quilt of dripping parchments, and scored vellum, of gaudy canvasses and soiled newsprints, he is kept balmy. There, here, in this space of nothingness he can exist oblivious to the enmities of the world, devoid of the encumbrances of being and of becoming.

Hidden in a labyrinth of exotic sikats as intricate as Marrakech, in forgotten dunes as distant as Petra, across mountains of pallid barrenness, this room lies. From its window of twigs and emaciated leaves, an ocean heaves immense and amorphous. An infinite lullaby of waves and foam shower his deep eyes. Moist from the winds that playfully tussle his locks, the child awakens and begins to hum a faint melody imperceptible but there.

An aria begging to be heard. An incomplete tune seeking impervious ears.

The melody, vague and foreign, is unintelligible. Fragments of lines and thoughts, cryptic and dense. Their sounds a crescendo of fibrous tapestries luxuriant and unfinished. He persists, perseveres, with the guttural imploring of a fallen angel, a castrati. A dead language unspoken, unheard, unlamented.

Lachrymose and stirring, this fecund melody is swept by the winds. Sublimating into the ether of his eternal sunrise. Glaring and resonant across the expanse of this nothingness. His voice becoming the scape, the sand, the sea, the serenity.

Yet he remains in this place, somewhere, nowhere, his Neverwhere.



Image from here.

neo/one



Narratives are revised,
to fit the new story.
Familiarity I realized,
is a choice and a query.

The melody maybe different,
the tone and timbre and rift.
But the song is persistent,
it's as if I never left.



Image from here.

monday missive

As far as the eyes can see, the void is simply that – a void. I’ve been in that void before and forced myself to adjust. And now, finally, I end up where I began, and I’d better get used to it. No one will weave dreams for me – it is my turn to weave dreams for others.
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South of the Border, West of the Sun
Haruki Murakami
2000 Vintage Books


A concluded book.
Its closure beautiful and poetic. Rich in imagery, laden in metaphors. The conclusion optimistic, a vindication of truth, a hope regained.

A coupled rediscovery.
The tale of serendipitous love, of a promise and a hope that challenges fate, daring it, to negate the infallibility of a bond afforded by circumstance, but cemented by choice. Two stories, two hearts. Of a sunrise that threatened a departure, and a sunset heralding a reunion.

A welcomed conversation.
To remind oneself that to be human is to be social. And that establishing rapport requires vulnerability, honesty, and sincerity. That to speak, entails to listen. To explain, allows one to be questioned.

A novel narrative.
A new tale to empower the suspension of disbelief. A perspective congruent but inequitable. The brevity of truth, and comfort of humility. An appreciated new voice.

An epiphany.
That beauty exists in the senescence of our existence. Its passing, cyclical and catalytic, allowing evolution to progress. The choice of whether to embrace this senescence or deny it, spells the difference between somnolence and salvation.

traces of you


Naoko,


To say that I don’t miss you would be a denial of my own awareness. Each moment passes with a palpability that reminds me of a reality we lived. The gaps of my fingers lay like barren chasms in that divide that separates us. My cold skin, remembering your touch, aches during frigid evenings. My nape, swollen from the last breath you exhaled. My lips, parched from a hunger that knows no satiation. How I held you between the sheets and caressed your mind with mine. How our bodies filled pages of poetry, entwined and elegant.

But they are precisely what they are, moments. Pieces of a puzzle missing its center tile. Lost and frail memories effervescent and distant. I do not fear the day that these memories would sublimate to oblivion, only because I know that that day will never arrive. Your words, how they inhabit my consciousness like foreign urban paths. Menacing and familiar, dark and comforting.

Ironic how it ended where it all began. Along chaffed streets lit by dull lamps.

Looking back, there were moments that foretold of an impending dissolution. My ignorance birthed not from the poverty of awareness, but through the conduit of hope that maybe it is transient, and we can weather these chinks in our own little world, hermitic and substantial. Yet, we were beautifully flawed, you and I, perfect in our imperfections. And what we shared were attempts to satisfy fissures that previously had been dormant. It was surreal, and incongruous, how one can discover another so moving and consuming that you question certainty, thus unwillingly inscribing expiration.

I won’t question the veracity of our relationship, I know enough to know that during that time it was real, and sincere. Genuine and exquisite. But truth shifts indecisively and fate weaves her sword swiftly. Emotions waver, beliefs questioned, and soon the disparities that we have vehemently kept at bay resurfaces to remind us that to be with someone, we must first be complete ourselves. To be whole first, before we can offer our wholeness to another. We cannot share what we don’t possess.

To ask you to stay beyond what your heart expresses would be selfish. To say that I will await your return would be equally unfair, to you for the burden, and to me for the tedium of helplessness. And to encumber you with such an onus is a servitude that you never wish to obligate from another, for someone who thrives in free-spiritedness, and to concede myself to somnolent anticipation would be an obscure reality to live for someone who dwells in vivid contexts.

I prefer to leave with the optimistic thought that our parting is but an intermediary. A farewell to your journey of discovery. To find the answers that you sought, and did not find with, and in, me. That maybe, by this action of liberty, you’ll find the pieces that will suture the interruptions. Whether or not those pieces would lead you back to me is inconsequential, I am happy to be a humble catalyst, but know that I wish you the fortitude to seek your specific invention, not by the decisions that define your circumstances, but by that catharsis of being who you should be, or at least knowing and acknowledging it. And achieve the balance of pathos and ethos that I myself pine.

Koori once mentioned how you longed for someone who can passionately move you to implosion, that overwhelming intensity boundless and radiant. Who can make you quiver by the sound of his voice, or misty by the touch of his fingers. How I longed to be that someone. Maybe I was, for some time. Maybe I lacked, too, that missing piece, essential and elementary, that lead to an unfurling, and ceased me from being that singularity.

So here we are.

I could easily conjure a myriad of reasons why it led to that misty evening. How the heavens seemed to wail, echoing and reverberant. How it felt like a defeat that begged for closure. A formality. A finality. So that you can progress, and I, simply continue. The silence that bound us contemplates the evanescence of that moment. I suppose too, that maybe the glint was too seductive we failed to discern it was cubic zirconia. Or that zeal distorted perceptions, and fed incoherent dreams. But the reasons would be irrelevant, truth remains that the decision was never mine to begin with, and by that act of exclusion you have asserted your defiance, questioned our pact, and negated my opinion.

Even now, I could still recall distinctly the innocuous details of our time together. Possibly due to an inherent memory acuity, more plausibly from the palpability of that period, for we latch on fervently to memories coinciding and defined by emotions. To assert that I was unhurt would be too couth and condescending, besides being a lie. But I also contemplate the possibility that what I possess and command is unparallel to what you yearn and concede. That possibly my predilection to logic and comprehension may have been too intense for my own good. That by the simple act of comprehension, I culled issues you meant to clandestinely ignore. That by my empathy I have unearthed semblances of a history you wished to rewrite. I cannot apologize for my own nature, but I would offer my acknowledgement that your salient points do hold water, to some depth at least.

In languor I would be reminded of distinct moments endemic to our narrative. The impatience to hold my hand on our first date, that lead to our first kiss. The thrill of our brief and illicit encounter at a café’s mezzanine toilet. The tranquility of your inebriated slumber upon my chest, whenever we were out drinking with your friends. The anxiety of us both when I introduced you to my friends. The surreal conversations we had whenever we found ourselves in Kabuo district searching for a place to get nasty. The luminance of your irises whenever we discussed our interests. The reassuring way we seek each others’ hands, and the audacity we held as by walking joined in-palm. Those leisurely nights at Martoa when all we had is a few hundred to spend. The simplicity of eating at Ba-ga Mashin, all the while holding hands. It seems infinite, those moments, and I would be inconvenient to specify all. But each one so distinct, unique, exquisite that their imprints reside in me with such adamantine completion, and to expound on would be a soliloquy you might find exhaustive.

Yet there they are. Moments immortalized in my frail heart seeking no validation, and demanding no warrant. Licentious may it be to have expressed them here, but it is not my intent to enumerate, but rather to elucidate. That I hold each of those moments precious, as remnants of our lost treasure.

I find no fault in the progression of this plot. I wish not to seem like an actor, portraying scenes to exact a reaction. I have no audience. I still am that chap, mesmerized by the poetry of your existence. And bear no resentment in your allowance to share that succinct serenade with you. I needed the distance to process it, empirically, to allow the truth of your absence to descend in my pool, so my heart could get accustomed to it. The sensation of your physiognomy embedded in my skin, factual and faint. And hope maybe, in that slight chance, I too have left an imprint in yours.

I long only that my being allow me to retain these traces of you. So that when fate beckons my heart to unlock once more, your memory may have enriched me with the wisdom of erudition.


Toru


We won't say our goodbyes
You know it's better that way
We won't break, we won't die
It's just a moment of change
All we are, all we are
Is everything that's right
All we need, all we need
A lover's alibi
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OneRepublic
1996 Dreamin Out Loud
Tim Myers, Ryan Tedder




Image from here.

a promise



memory of a dancer


I am a victim of my own good memory.
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Mohan Gumatay (DJ Mo Twister) via www.twitter.com


It was a moist Saturday evening that was the milieu of a gathering I was surprisingly invited to. Being of a socially awkward nature, anxiety crept across the whole day imagining scenarios of unspeakable nature. How I am not fit to be in this situation, how my defeatist inclinations would leave me vulnerable, and ultimately downtrodden. But I knew for sure that missing it would be failing. For one only fails when attempts are ceased irrevocably.

So I went. And there, amidst the altitudes of Ortigas, was a sight to behold. Bloggers and friends, lovers and acquaintances, people whom I’ve previously known, and some I have yet to encounter, melded and mixed, mingled and moved in a hodgepodge of inebriated abandon, of animated discourse, of sensual fragilities, and social serenades. Most of them I didn’t have the courage to introduce myself to, some of them I was uneasy because of a certain histories, others felt like strangers from a different lifetime, vaguely familiar yet blatantly distant. But I was reminded that the choice to be happy is a daily struggle, a decision that must be spelled for oneself, despite the encumbrances of circumstance.

To speak, I would imagine, must be a challenge for me. And a challenge to those I would converse with, for too often I find my words too distant and precise for social rapport to grow. So I listened, and observed. To touch would be tantamount to suicide. For the mere brushing of skin leaves me breathless, and that connection rarely comes along in requited form. So I danced.

And dance I did.

For when I dance, the world feels right. The music becoming my pacemaker. When I dance, I go beyond what my physiological morphology lacks. I transcend my definition. I feel taller, in shape, and great looking. All the attributes I do not possess, I achieve. When I am one with the dance floor, the rhythm takes my insecurity. It is cathartic and divine, pure and empowering. With strangers as audience, and newfound friends as my steady ledge to cling to, I danced. As if I was 23 again.
Memory is a curious thing. It stretches its double-edged blade across one’s heart like the strings suspending from a grand puppeteer’s scaffold. Any attempt to make sense of its capacity to cull emotions long considered abysmal and lost to oblivion would be surprised how it can just as easily remind us of the exquisite as if it just occurred moments ago. Strong memories latch on with the sensual, from the scent of musk, to the thudding of a house beat, these sensory cues become longstanding catalysts that allow memories to resurface, awaiting that crevice in one’s composure as an opportunity to flood, and from footnotes of a long-lived reality to become the melody of the present once again.

Once, a long arcane time ago, in a different life and in the shell of a different person, I was a social butterfly. Hidden beneath layers of insecurity and unrest, seething anxiety and rebellious dispositions, I redefined myself as the epitome of a party animal. That singular individual that thrives in the superficiality of attention, and that unquenchable thirst for validation by assigning the conception of self-worth against the yardstick of other people’s perceptions. I was young then, possessing of a good physique, and an audacity that fails my better judgment. The dance floor was my kingdom, and my body my tool, to elicit the reaction I wanted, and feed an insecurity with hollow sustenance.

I was naïve. To think that human touch is the proof of emotion, and I pried upon touch to define what emotions I can feign or gain, in the end obfuscating my own conception of worth. And dignity. Frail against the labyrinthine travails of a travesty of my own weaving.

Years passed, heartache and rejection have enveloped that lingering insecurity into physical manifestations of my failed attempts at love. Growing adamantine and stern beyond the socially acceptable, I dwelt on the cambered belief that to be detached is to be strong. How gravely erroneous I was.


That night when the music took me into her womb, the melody became my mettle, and I was once again new. Like that young design student in awe of the possibilities of life. But there’s a difference, for then when I danced, the objective was to find another. To seduce, and elicit, to attract and appeal. This time, it was to find myself. To rediscover who I am, by the language of my motions, and the sentences of the beats, I was speaking again. Not by words, and phrases, but by grinds and segues. And I never felt more eloquent, and honest.

Soon people started calming down. The music mellowed to a softer lullaby of ballads. Couples found their corners to settle into the night, friends found themselves reminiscing and conversant, others found their way home from this place. And there I was. Alone again, strewn across the dado rail that presented the expanse of Pasig, I waited for dawn to arrive, and bask in its brilliant glow.

Memory is a curious thing. How it can remind us, and forgive us, how it can spite us and comfort us. And how, by the action of memory, we learn. That life changes as we do. And that our humanity resides in the memories we keep.

It was past 7am when I alighted the elevator. After saying a quick farewell to one of the celebrants, I found myself walking along the streets of Ortigas restless, yet euphoric, exhausted yet alive. Just like how I was back then. A dancer. It is a reminder that one evening of dance can leave me breathless and thankful. For that memory, and for this new one.

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To Odin, for allowing me to discover that common ground can exist in the most surprising places. To Poi, for inviting me, and reminding me that to be human is to be connected, and that sincerity goes a long way, that we are not books, but manuscripts, pages are drafts to an unending tale, and that connection can come not from its covers, but by its footnotes.. To Moi, for being proof that it is possible, and that patience and honesty makes it all worth while. To Ewik, for showing how intellect and wit can coexist beautifully, and in such an amiable engaging form.

And to my dance floor co-habitants, for allowing me that small real estate of floor to share with you, even for just that evening. I am deeply indebted.



Image from here.

fallacy of form - esthetica



The definition of a good space is a sentient equilibrium between various aspects of the sensorial realm. For a space to be effective, without delving into the binomial paradigm of form and function (of which varieties are as kaleidoscopic as the vocabulary of the practice), it must be a balance of tectonic elegance, esthetic honesty and appropriate style. This is without saying that all three prerequisites a sincerity that is reflective of the intentions of the design, and responsive to the nuances of the purpose of the space. Too often design, in its modernist sense, tends to objectify methods and elements as superficial, and even superfluous conglomerations, and design professions become assimilative in their attempts to use thematic, trendy and outright out-of-context manners of eliciting curiosity, pulling from their vocabulary of morphologies and techniques with a singular objective. This translates into a veritable shock-and-awe bacchanalia for the sake of achieving that catch-all definition, iconic.

But true, mindful and coherent design comes not from the wordsmithery of forms and palettes, but a deeper intelligent understanding of the nuanced experience of space. The aspects of this process, although in no way absolute or dictatorial; is better comprehended with an outlining. Design must be fertilized with a philosophy, that lofty and intangible idea that becomes the seminal vector of any process. This philosophy should be made relevant by a concept, translated by the esthetic and consequently expounded by style.

Alacrity often leads to an overzealous usage of elements when the wielder of the palette fails to recognize the relevance of a grounded conviction to design. To envision a space, whether it is a room, a building, or a city, requires a depth of confidence with one’s craft and the fortitude to choose the design language with economy. To better understand this proposition, I must first establish the definitions and differences of the abovementioned aspects.

A philosophy is a guiding mark, the designer’s compass by which his visions find meaning and voice from, it’s the metronome to which his taste and language beats in synchronicity with. The philosophy could be self-apparent; such as the adage less is more or the more ubiquitous form follows function, or it could be more indefinite and does not easily relate to space; such as the Japanese philosophy of wabi-sabi or the celebration of the degradation of things, simply put allowing nature to run its course. Ultimately, a philosophy is the belief that is reverberating in spite of the designer’s plethora of outputs and ideas. This is akin to the aesthetic, or the philosophy of beauty in nature, art and science, not to be confused with esthetic.

The concept is the point of inspiration, that moving idea that becomes an impetus to translate the vision into form, and experience. For most it could be any number of things sensory from the lanceolate of a leaf, to the foaming of the littoral waves, for some it could an intangible such as balance, or linearity, or even the random ambiguity of simulated chaos. Whatever the concept is, it finds rhythm in the opus of the translation. The esthetic thus becomes a measure of the honesty of this translation, if by the final experience the concept can be deduced, the concept can either be strong and resilient, or the esthetic too superficial to elaborate its depth into meaning.

The esthetic is the designer’s palette. It is the elements and proportions, textures and language of forms that he wields to translate the concept into space. It is his box of crayons, his vocabulary; the syntax by which vision achieves structure. It is usually categorized as stylistic genres (such as brutalist, streamline moderne, industrial) or periodic mannerisms (such as mannerist, gothic revival, or art deco), but I consider these terminologies and definitions, although lends easily to the layman or uninitiated, inadequate to grasp the totality of what an esthetic is. It is, simply put, the genius loci by which a space can be identified, pulling from the designer’s far-reaching experience, exposure and training.

The style is that definitive mark, the cherry of the spatial baked good by which a place can be a memory, and an experience a moving, impressing one. It takes the elements of the esthetic and re-invents, adapts and reconfigures it to suit the purposes of design, function and economy. It is the finishing touch that establishes a space as complete, coherent and legible to the user.

The interplay and relations of these four – philosophy, concept, esthetic, and style, is the bloodline of a design, the hemoglobin that carries the intent into imagery, from imagination to experience. A good designer then must effectively, and with much humility and honesty, muster these to weave his vision. Theoretically, the possible combinatorics of these aspects are infinite and inexplicable, a notion that becomes most daunting especially for those whose basic idea of aesthetic is neither defined nor consistent.
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To demonstrate this, allow me to provide an exemplar. The philosophy is honesty in design, the concept is blending in, the esthetic is Greek revivalist, and the style contemporary. Imagine a building done like a Grecian temple, complete with friezes and cornices, doric columnation and patio steps, embedded in the urban fabric, built with the correct materials and proportions, yet in stark and pristine white (of course the original Parthenon was a florid and colorful beacon of religiosity meant to please the gods). What becomes translated is a space, although defined by historic language, is read as contemporary, albeit simplistic. Its subtle spirituality gained not from the dictation of purpose (as the original temples were) but by a modern interpretation of the same elements.

[The image above, a possible translation of this, is actually an office building at Brest Harbor in France]
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Although not entirely linear, as design progresses through these four aspects eventually being translated into the final spatial extant, the tangibility of the idea becomes more apparent. Thus, from the ideological philosophy of the auteur to the obsessive hardware of style, the layers create and enrich the space with a meaning beyond the semantic and iconographic.

To achieve great spaces, and great design, does not necessitate that all of the aspects be represented and legible in equal value and strength, for it would lead to a rather stale translation. What the objective must be is to create equilibrium in that all aspects relate to each other, with possibly one with a dominant gesture resonant in all layers of this output. A tensegrity is accomplished, precarious but elegant, between sensory forms and experiential value, between creativity and usability, and between purpose and pulchritude.

Creating an experience that germinates not from decisions of taste, but discretions of intent, becoming a symphony of idea and imagery, by the haptic and heuristic, of the sensory and cerebral. When done correctly and elegantly, esthetic beauty goes beyond the definitions of it being a function of the senses, transcending experience into intellect and proving that esthetics also resides in the idea.

The challenge is to achieve this elegance without the ruminations of effort, or the remnants of experimentation. When this is attained, the space moves one to emotion. And beauty transcends the physical, into the spiritual, from the astute to the awesome.



Next Fallacy of Form: Economics of Creativity
Image from here.
The first Fallacy of Form is here.
Fallacy of Form - Verdant Voice is here.

waking up


The reflection etched on the cracked surface
is fading into the ether of day
Imperfections of a broken dream as I lay
motionless. The words
left unsaid. Screaming into my eyes.

I would take the pieces
shriveled and soiled from the memory of rain
and unfold them, page by page
unto my warm bed to desiccate.
To discover the ink as blank as the words.

My fingers curl at the thought of
it. How a future of solitude can spell
my consciousness explicitly. But I digress.
Because possibility is unfettered. Undefined.
To think otherwise would be defeatist.

Memory would be my salvation, and history
my proof. That giving what I could, offered.
What I could. What I can. What I wanted.
Is all that my capacities can
afford and provide.

Yet, sometimes, is inadequate.
A knowledge that must be experienced,
a comprehension needing to be felt.
To know that I am worth the while,
and that loss is not a constant. But a catalyst.



Image from here.

quotidian quote VIII



Dreams feel real while we're in them. It's only when we wake up that we realize something was actually strange.



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Cobb
Inception
2010 Warner Bros. Pictures




Image from here.

quotidian quote VII - to eon


We turn not older by years, but newer everyday.
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Emily Dickinson




Image from here.

a blank page


It is the pinnacle of being a writer to be published. To have the words that one’s mind has birthed printed and experienced in material form. And for a blogger to be published is an even greater achievement. For the digital medium have often been relegated a credibility undermining the potential of this medium. Blogging is generally perceived with the same respect that entertainment weeklies might beckon, only because for most to blog is a mere reflection of one’s passing inclinations, a voicing of opinions, and often, nothing more. But for those few whose words have become more than their apparent significations, and have grown into a following of communities transcending what the entries profess, goes beyond what blogging is, to what it can be. It becomes dialectic, a cross section of the human consciousness, and a testament to the democracy of the medium.

To be a published blogger is the evidence that it is beyond the medium that value is created, but by the content that meaning can be derived. It is the solemn proof that writing, in all its myriad manifestations, blogging being no less a form of this, has the capacity to affect change. To lead narratives, change perceptions, and open the mind.

To write that the Threesome: Three Books to Break the Rules Launch was a success would be a gross misrepresentation, and a grave understatement. The support it garnered is overwhelming. A literal microcosm of the kaleidoscopic world the medium has expounded. From the uber-cool to the understated, from the eccentric to the eclectic, the audience that graced the launch is a spectrum of inclinations and dispositions, leanings and loyalties that show how strong this medium has become. And The White Room, being a perfect canvass to this spectrum.

To E, for the courage to bare your heart and speak the explicit few would dare thread and attempt to verbalize, to McVie for taking each bath house visit with a grain of salt and the optimism that life should be enjoyed despite all circumstances, and to Migs for the open-minded embracing of the culture we inhabit and the willingness to connect and learn and teach to those who are but neophytes in this milieu; thank you. For your words and your entries, for the dialogues you have inspired and the friendships you have birthed. How a test result can be a fulcrum of belief, or how a comic yet raunchy incident can be a thespian’s triumph, or how a simple letter can empower the understanding and love of the parents of this new generation.

To be published is not the end, but the beginning. Continue to break the barriers of ignorance and dispute, discrimination and myopia. For the life of a writer only begins when the last period is typed. The words become more than its authors, they take a life of their own, and us, readers, take pieces of this literature and make it our own. Own stories, and narratives, own opinions and beliefs. Let your books be our blank page, on which lives can be written and rewritten.

Because to write is not a mere threesome, but an orgy of minds.


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Image from here.
All three books can be purchased at MyBookstore.ph
The titles in the Threesome: Three Books to Break the Rules series include:
The Chronicles of E
The Wetbook: Stories from the Bathhouse
Dear Migs: Letters to Manila Gay Guy

a blank canvass



I am a clean slate.

A blank canvass to the inspired painter. Whose gestures with the worn brush distill emotion into imagery, sentiment into sentient scenery. His strokes define and expound on affections, from the minutest of nuances, to the expanse of my skin. He will draw upon his own actions to discover the curvature of my consciousness. And I will be his willing plate, for the feast of his senses.

I come to him pristine and birthed, from a frugality of experience and the washed out ebbing of my beating chest. He will weave his stories through my stretched linen plateaus, from the Indian ink he drips, to the vivid colors he conjures. He will awaken me to his touch, and I by my eyes.

And I will be his masterpiece, and he will be mine.



Image from here.

quotidian quote VI



When words become unclear, I shall focus with photographs. When images become inadequate, I shall be content with silence.
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Ansel Adams




Image from here.

to my playwright



Words often fail to capture the melodies a heart sings. The ineptitude of a language comes not from an inadequacy, but often from the overwhelming of its wielder.

Worry not. That though our shortcomings as channels of our literature comes as a surprise, know that sometimes the words we inhabit are simply lacking, unable, in certain regards to express what we mean. And feel. For it is truly indefinable.

I know now. I feel it in how your fingers find the gaps of my palm. To fill them, and fulfill me. I taste it, in your saccharine lips, full of a tenderness that invigorates and consumes. I see it, in the depths of your eyes. How it longs to memorize every detail, with a serenity that’s comforting. I smell it, in the musk of your skin. Together ethereal in the heaving of our exhausted breaths. Satiating. And I hear it, in the placidness of your voice, amidst the warmth of our silences.

Though the frugality of words seem to others like a hindrance to verbalize what the heart professes, I feel no need nor requisite to obligate it from you. You have always been shy to some degree. And that is what endears you to me. And I know, that though few may the words be, each is laden with sincerity. Passion. Emotion. Meaning.

And I wouldn’t want it any other way.


Image from here.

me. mesis.

You Who Arrived
[To P.]

You who finally arrived
into my arms, Beloved, who have found
at long last,
I discover the melodies of songs
that please you. I am delighted
to recognize you in the surging wave of the next
moment. All the immense
images in me - - the picturesque, deeply-familiar landscape,
links, paths, and traces, and surprising
twists in the narrative,
and those arcane lands that now
pulse with the life of the divine -
all expound within me to mean
you, who forever inspire me.

You, Beloved, who are all
the scapes I have dreamt of,
now real. An open window
in a white room - -, and you in embrace
stepped out, welcoming, to find me.
Dreams that I dwelt upon, - -
You weaved them elegant into actuality.
And somewhere, at a café, the screen
beamed and glinted with your presence and, in awe,
found my own image beside. Who knew?
that the same ballad echoed through both of us
this evening, together, beneath stars…



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Based on You Who Never Arrived by Rainer Maria Rilke
Ahead of All Parting:
The Selected Poetry and Prose of Rainer Maria Rilke
Edited and Translated by Stephen Mitchell
1982 Random House

A definition of mimesis.

somewhere in the city



The night was still. A stillness so pervasive it seems to engulf the enmity of this hurried urban setting, into the void of its deafening silence. The rush hours have long passed, and as throngs of people funnel their way into their respective domiciles, into ill-reputed destinations, and alcohol-fueled stupor, the celestial lights that glint across the billboards seem to recede into the haste of this concluded day.

The drowning crowd slithers past corridors and alleys, streets and floors, into the incoming onslaught of the tired and weary. A creeping shade of grey that litters on the face of optimism, as cars wound their way into the channels of vehicular canals, flowing and collecting, and eventually regurgitating into the far reaches of the metro. Lines pile up manic and irritable. In front of elevators, along the train corridors, and by desolate parking lots held hostage by ad hoc shuttle terminals.

The evening mist is a mixture of smog and evaporated sebum and perspiration, boiling in the heat of this massive sauna, a complicated machination of moving souls, breathless and catatonic from exhaustive motions, a simulacra of work bereft of passion and focus. Living drones soiled into servitude for the peso. The shift turns as workday mangled masses interact with the boisterous banter of nighttime professionals awaken not more than a few hours prior.

Somewhere, in a lone out-of-the-way café, a solitary table creaks from being rested upon by hefty arms nestling a book. The café is closing, the mug has gone dry from negligence. A new stick hastily lit, as its wielder turns a page. The book is old, discolored from being held and read multiple times. Oblivious to the surrounding debauched rambling and the chaos of a preoccupied metro, he holds the book precariously, while his mobile phone sits idly beside the bookmark.

The night was still. Out on the suburbs, a different set of hands held a different sort of page. Confident, the keys are pressed with a clear objective.


The phone rings. A smile emerges.



Photo from here.

hope



Burning cataclysms of an impending parting
The truth fails when memory begets
A history too piquant to pretend amidst dissolution.

The twist of fate wounds anew
Across urbane enclaves and earthen pew
Of a lost and a found, of the hidden and the discovered.

That life goes on, despite our gravitas and warmth
A genius loci dependent on failed emotionality
For we are all temporal, to others, and to ourselves.

Changing. Shifting. A renaissance into recidivism.

And what remains is emotion. And thought.



Image from here.

an (im)perfect day

Once in a while, bouts of emotional and physical exhaustion become too apparent and absolute that I am left with little choice but to remove myself from the consciousness I inhabit. Certain issues have been plaguing me as of late that action was an eventuality waiting for a catalyst. The decision to skip my profession, even for just a day, came too easy with the advent of an upset stomach and the possible symptoms of an impending heat exhaustion.

Leaving home after a hearty breakfast, I trudged the path that lead back to the urbanity of sprawl. After a quick stopover at a clinic to procure my monthly medical salve, I walked my way out to the highway with neither an umbrella nor sunglasses to shield my acerbic disposition. Sweat flowed bucketfuls across a crisply ironed long-sleeved top, and soon the double-knot of my tie was as damp as my supernated back.

The protracted bus ride was as uneventful as morning traffic altercations. Alternating bouts of lethargy and boredom besieged me as I weighed my options for the upcoming day ahead. I needed to find myself again beneath all the anarchy and enmity of my existence. So a plan was concocted. To find the means by which a release is afforded, despite the frugality of this opportunity.

I am weak, my humanity spells certain dispositions that preoccupations always tend to deter. But today, despite the tight itinerary, I had to give in.

His sturdy back, the nimble arch that held me enthralled, his skin, soft and white. Warm from the summer’s heat. I have missed him, as I imagine he too have missed me just as much. With very little left of my funds, a withdrawal was made. Only so that I could be reunited with the one that could bring me back into who I am. Or was. The transaction was swift, methodological. He was not enough. But another took my fancy, and so I had to get them both, at the same time. A parody and a mystery. They’ll be keeping me company for the next few days.

The coffeeshop was as arid as my sex life. Its outdoor patio shielded by robust parasols across a verdant park. I sat down. I took one of them out of the rubor packaging of the bookstore. With a coffee mug at my left, and an ashtray at my right, I turn his cover. Page one. And I was again, home.

Later on that afternoon, with the two tomes by my side, I watched a sunset bloom across the dense skyline of the city. From the dusty windows of a nearly deserted train. Sadly I was unable to reach the bay in time to welcome her mauve dance embrace the horizon of Manila. It would’ve been nice to return to those cobbled and paved paths that birthed my education into this subculture almost a decade ago.

The darkness of night slowly ebbing into her ephemeral segues. Their dance lauded the world-over for the romanticism it encapsulates, despite the sprawl that threatens to engulf her bosoms, and in spite of the frivolity that this consumerist generation has splayed on her thighs. She was still, the darling and the damsel. Distressed and dreamy.

I alighted the shuttle just across Roxas Boulevard to take her in. Framed by the monstrosity of a mall parading as a destination, she took her dip into the chasms of the sea. Beautiful and beaming, like the lady that she is. The metal rails were my benches, from memories of a promenade not as grey, dull and superficial as this one, but just as romantic. The paved paths now hard scored concrete, barren, lifeless and smeared with the vandalism of transience. Here in this stretch of land, where the sea meets Manila in an embrace as nurturing as it is now indifferent, I was young. I was naïve and a dreamer. As I still am now.

With my two new books in tow, I crossed the extension road to take a bus back to the apartment. It was an imperfect day. The two humble purchases, the overpriced coffee, the lengthy bus ride, missing a missed sunset, it was all too imperfect. But like anything of great beauty, its brilliance comes from a poetry of imperfection.