RED IS THE NEW BLACK

Avatarrandom rantings and rabid retorts of a socially-retarded, decidedly high-strung, renewed romantic

quotidian quote II




A son is the promise that time makes to a man, the guarantee that every father receives that whatever he holds dear will someday be considered foolish, and that the person he loves best in the world will misunderstand him.



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Prologue
The Rule of Four
Ian Caldwell & Dustin Thomason
2004, Published by Bantam Dell



Image from here.

in somnis veritas VI


Silken lines
that caress my beating heart
into euphoric bliss.

Arresting arms in a warm embrace
seeking my cold frigid frame.
Foreign yet familiar.

Wisps of hair of the blackest
pitch, tussled, sinewy. I lose
myself in its darkness.

Let your fingers entangle mine.
When the world is lost in its haste, and
their eyes are not looking, hold mine
in your abysmal gaze.
Absolute.

Reality knocks.

Come now. Hear my call. Lest dawn
breaks and I must fall.



Image from here.

kundush and ararat - of wuyue

Introduced in The Beginning.
Continued in Vesper Meeting.

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Inauspiciousness spelled the theme of that cycle. The nights seemed colder and harsher as the lanceolate foliage of Elysium turns a dull brown despite the endless downpour of the preceding fortnights. Wuyue was gradually sublimating to the ethereality of nothingness. She has had very little improvement since the last bestowing cycle. Ararat can do none more than lay witness to her degenerative progress. First the cerulean of her skin turning into the pale flesh-tones of a freshly-caught salmon, then her hair slowly turns from silvery to pitch black. She has lost appetite even for the gluchan she used to devour with much gusto. These days subsistence consists of a few drops of nightdew and a waft of edelweiss.

The antikythera clicked with a foreboding reverberation. It was as if an omen was being sent, yet its discrete nature ensures that none would take heed. It was a silent harbinger ticking amidst the anarchy of the impending cyclic closure. Only meant to remind, but never to remember. It was a dissolution that will find a voice after a segue have long passed. A song finding its rhythm when it’s player has freed the instrument.

Wuyue was fast sublimating. Her palms cold from the struggle to remain in this plane. The dews of the edelweiss was no longer effective in alleviating her pain. She was almost gone.

“Take my minstrel,” implored Ararat.
“No,” she replied.
“I beg you Wuyue. I can’t lose you.”
“You won’t. As long as you’re here, I’ll be here. In you. With you.”
“Please. Here won’t make sense if here is without you.”

He bared his chest, revealing the glint that cerulean vesper annals speak of. The Law of Ethos was now in play. He reached in, pulling his minstril from the depths of his spirit. Beautiful. Sporadic. Effervescent. Perfect. Ararat was moving quickly. He knew he had but a few moments before the quanta-cycle is concluded. He already missed the chance when transcendence came and Wuyue first refused. He held out his minstril in haste, ready to bestow it. Tears were flowing from his burning peridot eyes. His lips trembling as luthian phrases spelled out in chant. He could taste the salt. There was no time.

“Take it,” he begged.
“I love you Ararat.”

Then she was gone.

Suddenly it came to him. The events of the past few fortnights. Her dwindling health. The loss that his fragile heart could not bear. The trauma that perseveres and engulfs. Complete irrevocable. He lost Wuyue, but in the process he has also lost his minstril. Both cannot be regained. He knew that very moment that only time will tell when her fate will be his. Yet surprisingly no fear crept. He’d rather be with her in oblivion than spend an eternity in solitude.

So he waited. Days in contemplation. Waiting for his eventual end. He lost interest in the luthian scripts. In the gluchan he used to cook. Meaning was devoid, a distant and forgotten throbbing. Emotion were absent, a mere weakness to prolong a pain. Days became months, months became years. Yet his virile posture remained. And the end he longed for never came. Wuyue became a reminder, then a memory, then a feeling, and finally a hymn. Subtle yet omnipresent. Palpable yet intangible. She was gone, and so was his will.

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Then one evening, the heaven’s wailed. A wail so painful it almost brought him to tears. Piercing like Wuyue’s last utterance. And a faint sobbing was heard outside his abode’s threshold.

in somnis veritas V

Give me this moment.
Let your gaze befall this weary soul so light,
your light, may peek in frigid depths
seeking warmth. Validation.

That you notice. Spare me a moment, nectarine
words to fiddle my lonely heart to feel
wanted, needed.

You see. I am silent.

Because I am waiting.
For that dawn to break, and awakened
that this dream is already beside me.
Breathing in peaceful heaves.

Silent. As I am now.

the fallacy of form

The ineptitude of our urban fabric stems from the obsolescent belief that architects in general, and planners and urban designers in particular, are tasked with the innocuous derivative function of imparting order and establishing a supposed system to the anarchy of sprawl. Thusly, the resultant plan using the classic paradigm would envision the space in situ as either a gridiron applied against an otherwise organic site of nuances and elements, or of grandstanding organic forms enforced on an inherently interesting locale. Logic would preclude that both methodologies occur as an oversimplification of the spatial dimension. Order will never be achieved by geometry and abstraction. Gaudi (that mad-genius hailing from Catalan, Spain) phrased it eloquently in saying that the straight line is to man, as the curve is divine. Yet recent masterplanning trends are evident of a lack of respect to nature and geography, subverting these parameters as simply inspirational in effect.

As planners, we are tasked to understand the space not as lines drafted across the screen or on the printed page, but a space unencumbered by walls. Master-planning would thus entail a masterful planning of the site, a programme that can never be deduced to uni-dimensionality that aggrandizing schemes vend. One cannot enforce order in the poetic chaos of nature, nor genuinely claim to be Gaia-inspired by the superficial application of superfluous sinuosity. Form is not the resultant of an effective masterplan. Function is. No organic form can ever be natural by the mere innovation of adapting without reason, or worse on a planar sense of conceptual gimmickry. But a masterplan that affords the functions to operate in synchronicity, with enough agile and tactility to adapt and evolve as habitation progresses, is one that truly works. Effective in that it achieves its purpose, a plan. Yet flexible enough to respect that the human condition is one replete with change and transgressions, identity-building and idolatry.

When a site presents itself bare and uneventful, let climate, geography and geology be the yardstick by which we measure our proposals. Let culture be the catalyst that will paint the fabric of the place. Let the users define the identity.

It is not the abstract line that instills value into the masterplan. It is the inspired distillation of the datum that nature provides us, filtered through the creative analysis of a disciplined practice, that gives that very line meaning. It is that honest acknowledgment that the Earth provides us well enough, to be favored the capacity to mold it. Because originality means returning to the origin.

Masterplanning is revisiting the site, and uncovering its latent sense of place. The genius loci that we beg our skillful hands may find cadence to compose. That inspired moment when nature enlivens our lines, and meaning is equitable to value. When creation converges with care, and the mind melds with the soil. A return to what is true.

Genius is in the genuine.





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The Fallacy of Form is a new serial contemplating on issues of design, aesthetics, the creative process and identity.

quotidian quote

Weakness begets Strength.
Betrayal begets Blood.



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Mantra, Ozunu Clan
Ninja Assasin
November 2009, Warner Bros. Pictures