There is sublime solace in multi-dimensionality. I cannot begin to fathom how I have digressed from a fully-functioning social being of a few years back, into the anxious recluse that I am now. For a protracted period, I have used my soliloquy as a ploy to thwart those who would, out of self-preservation and exclusivity, deem me unfit for their palate. This, of course, was dictated by prevalent insecurities, borne from anxieties seeded by pain. However superfluous this methodology I utilize, it had its advantages. It kept those, whose superficial intentions are legible to the asinine, at bay; remaining perplexed in the confounding conundrum of my own design.
For a while I considered revising the vogue of my language, if only to elicit and allure a favorable audience and a more interactive environment in this space, but superseding realized that it would be dishonest and retrograde, to assume a voice dissonant with mine; if only to gain readership under false pretense. You see, I inhabit a world replete with details, often innocuous and overwhelming, and these details form the prima facie that mold the opinion of those around me. The minutiae define me. One may call this arrogance, or outright self-righteousness but the choice to remain what is essentially me is the fulcrum of what I am as a person, as a writer, and as a mind.
It would appear counter-intuitive, ironic perhaps, for a language laden with causality and deduction, to be devoid of logic, or for a structure founded on precision to be so verbose to the point of vanity, even avarice. But many of what I expound on digress from reason, and are birthed mostly from emotion. The pathos being the pathology that metastasizes my conception protocol, that feeling brings forth fervor, and vocabulary is an incidental advantage. Though the patois I employ seem schizophrenic at moments, it is necessary so I can pursue the essential cranial calisthenics. Whether writing about the mundane or speculating the absurd, contemplating the intangibles or expressing the unspoken, the written word is the medium I choose to expound on to validate the veracity of my consuming consciousness, and a silent subculture that remains nameless.
Hiding beneath my layers, I find somber comfort. I discovered that by weaving my thoughts into the semblances of a tapestry, I become one with them, complicated and multi-dimensional. You see, I never am one for straightforwardness. Maybe in this regard, I fail to bridge that divide that could result in sociopetal outcomes. Because my difficult nature precludes that to understand me entails more than comprehending the obvious. That to know me, is to unravel me. Into filaments of truth latent underneath the anarchy of imagery.
I do not wish to confuse, but my own disorder seems to dictate the very method of my madness. That creating a world hermetic and pristine in my mind here, or wherever it moves me to, I can progress without process, evolve without volition, and share without shame.
It is this longing to expound, assimilate and comprehend that maneuvers my hypergraphia of the highfalutin. The diversity of the dialectic is a resultant of an inherent need, nay desire, to make sense of this existence, to delineate order in the pervasive disarray that envelops us all. Interestingly, for the most part, recognizing and conceiving order or a semblance of it was never the objective. To presume that we hold any chance of enforcing pure logic over existence is beyond human capacity and perseverance. But, ironic as it is, the action of making sense of it, contemplation; the phenotype of this inner struggle, is comforting immensely beyond what oblivion and apathy could offer.
It is not in defense of the self, nor a deliberately florid and nuanced explanation, that was the impetus to write this. It was birthed from the inevitability of process. To understand, for me, is to write, and only by placing my thoughts into the structure of language can I process those thoughts, that the action of literature elevates the mind. It is said that literature, whether prose or poetry, is innately theological, and I deem this rightfully so. To weave language into meaning requires an astral breadth of cognition and clarity, a momentary glimpse into the divine translated by an earth-bound psyche.
Original image from here.
15 redmarks:
Be what you are for those of us who truly sees you, understand.
Besides, the language you use, is something, sometimes, I desire to borrow.
Cheers.
I could be saying the same thing about you. Thanks, I appreciate it. Glad you took time to visit here. Cheers!
hi red. you're one of my favorite blog writers. to me, you write beautifully. apologies if at times i don't leave comments, for in those cases i feel unworthy. unsure of my interpretation, even if i've seen that you never impose any single meaning to your writing and that you keep it open to others' interpretations. it's rare to find someone like you in this space. in the few times that i aspire for your artistry, you are also one of the few who understand hehe. i'm always excited for your new posts, and sad that some of the other artists that i enjoyed reading have left.
wow -- this was a beautiful fusion of love and self. that there is an inextricable link between both, and neither can exist without the other. i find your writing to be too complex, as what you have conceded to, but that is never a bad thing.
personally though, i think it is okay for someone to let his/her guard down every once in a while. however, the need to do this should be hinged on two important requisites: first, if it leads to happiness; and second, for as long as you don't compromise way too much.
:)
"...and are birthed mostly from emotion."
Indeed. It doesn't matter if your language is flowery - I adorn my own posts with exaggerated descriptions, too. And only a few people recognize the emotions behind those word plays. I like how you write and you must continue what you love doing the most.
:)
@Sean You're mighty generous. Thanks. Apologies are unnecessary though, for often I feel that what I write may seem too absolute, incorrigible even. I, too, look forward to your posts, and aspire to have the same verisimilitude that you possess, and the ease in exposition you command.
@claudiopoi It isn't, if only because sincerity is included. I agree on the second point, although the post is primarily on the subject of writing, but I do strive for levity once in a while. And, may I postulate: happiness is a choice, not an outcome of action, and being uncompromising in who and what you are does, surreptitiously, lead to happiness. :)
@Eяin Heяoin That is exactly the point. People nowadays have very little patience to interpret more than what is apparent, the speed of information has led to a poverty of attention and focus, valuation even, to the written word. Oh, and I like how you write too. You've been, I imagine, pleasantly preoccupied for a while. :)
I thought about the same thing, but no. I know your writing skills (I'm about to say blogging skills but I guess writing is most fitting)are of much higher caliber as oppose to mine, but I can relate [well] to what you're saying here.Sometimes I do lament the instance(s) when people won't "catch my phrases" but that's a fact we all have to accept, I think.
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And it's most definitely not arrogance. I mean, look at the upward direction of trees. Should it grow downwards?I don't think so. =p
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Siyempre 'di ako papayag as your fan, hehe.
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Keep it up idol!
@Désolé Boy Thanks. It never was about writing skills, but connecting to an audience. One just have to concede that you can't please all. I like the analogy of the tree, but is a tad confused. Do you mean that trees are meant, by virtue of their nature/ genotype, to perennially seek the sun; much as one, driven by emotion, must write to his own beating heart?
Hehe, fan pala kita. Salamat. Mainit pa naman ngayong tag-araw, mainam iyan. :)
hala sir red,
i reread what I wrote a couple of days ago. when i said that your writing is too complex, i did not mean that that was bad. to the contrary, i find your writing to be very sophisticated. and you relay your thoughts with perfect clarity, given the plethora of words that you have at your disposal.
it's too complex, yes, but it's something that's rare and beautiful -- and i even agree with sean that sometimes, i think twice before i leave a comment on your posts. baka madumihan ko lang kasi. LOL
anyway, idol kita sir. :)
@claudiopoi Thanks. Don't worry, it wasn't taken as a negative. Oh, and please no sir's. I'm too young for that. :)
You, me, Pat, Aris, April 17, Sunday, 4pm. We'll try to get shitfaced. Pasig Citehhh. Muahness.
@Momel Thanks. Will carve it into my itinerary. Muahness from Makati Citehh!
They said that your writing is too sophisticated. I agree. a literature that is too rare. agree. a language i desire to borrow. agree. "ayaw magcomment kasi baka madumihan lang". agree. hehe.
your writing is just so beautiful that it crosses to almost intimidation but only if reading is by the letters, which in this virtual space, is so tempting.
you have an avid follower here.
@Pepe Thank you. You're too generous. I hope it doesn't intimidate people too much to not visit. Hehe. :D
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