A subtle change is happening. I feel it most during those
incoherent hours between sleep and wakefulness, vast and vacuous moments of
apathy to the world that pepper and interject my days, and sometimes nights.
They mingle and trickle beneath the seemingly bland normalcy (if, one could
imprecisely classify it as such). It may be a harbinger of something more
pervasive, invasive and assertive that has yet to find fruition. So far, this
paradigm shift is neither malevolent nor malignant, at least to my knowledge.
Often, time at work is synonymous with the rattling
homogeneity of the urban white noise. Surrounding, and enveloping me in its
dismally hypnotic trance of deadlines, copious amounts of enforced unnecessary
pressure, claustrophobic micromanagement practices, and the unhealthy
sprinkling of quisling office politics; crustacean mentality at its worst. For
most of the time, I have taken this absurd inequity with a grain of salt,
relegating this situation as a professional necessity, a circumstantial cross
one must unwillingly bear out of detrimental need. But I do love my job, and
the opportunity it affords on a daily basis to express creativity, and to
create expressive design.
As I have mentioned on a previous post, I have recently
begun taking review classes in preparation for the upcoming architecture
licensure examination this January. It is a herculean task that is both
overwhelming in its immense scope - both theoretical and applicative studies of
architecture as a science, art, and profession), as well as triggering an
anxious and unsettling excitement of being finally legitimately of the title
architect. I cannot even attempt to explain the sizeable material I intend to
study, but allow me to try in dimensional terms; imagine a stack of long bond
paper-size documents, 12 inches (1 foot) high, and multiply it by three, that
is how much physical material (so far, that I have amassed) that I need to
read, comprehend, retain, and command. In addition to this, there are also gigabytes
worth of digital files, documents, presentations, and resources to digest and
ingest just the same.
Yet, despite of the immensely daunting task at hand, I find
myself more and more looking forward to the review classes, and our brief
quizzes, to the expanses of silence I plunge into as I pour over with focus and
dedication upon the review materials and documents I must, detrimentally,
absorb, comprehend and internalize. So much so, that I am beginning to value it
more than my work. My daily ration of deadlines and design-cum-creative
solution-seeking is appearing rote and lackluster, dreary and uninspired in
comparison. The shift is in both disposition and preference. That despite my
love for the work that I do, I am beginning to resent the situation in the
workplace, that I am starting to look forward more to the review classes, which
is thrice a week and only in the evenings, than I do the time I spend at work. That
work is becoming a mere means to fund my ongoing journey towards professional
accreditation. I surmise it has something to do with the gravity and long-term
value of the undertaking, but more of the brewing disdain towards the work
environ that is fast transitioning into indifference.
I hope to remain effective and insightful at my job, emphasis
on job (instead of a career) but the continual myopia of the superiors to the homogeneity
of the type and form of tasks encumbered to me is contributing to this general
malaise of boredom and the dissipation of a previously present fascination with
the work that I do. It is plausible that this paradigm shift, or rather a
perception realignment, is condescension fed by the absolute disparity between
need and necessity, and want and desire. That it is absolutely imperative for
me to enrich my knowledge of design and the process and practice of it, something
that up to now I was simply denying its absence in the workplace. But If I am
to remain relevant and valuable, I must accept the fact that in any profession,
there are certain crosses one must inevitably carry, and often it has nothing
to do with the work.
They say that architects are natural arbiters.
If this is
true, I must be becoming one.
Original image from here.
Mutatis Mutandis, Lat. "changing [only] those things which need to be changed" further expounded in a Wikipedia article here.
2 redmarks:
It must be a joy for your colleagues reading your business email.
@Pat Oh, whatever do you mean? I am somewhat of an oddity at work. Where everyone else is preoccupied with brown-nose politics, I simply prefer the comfort of indifference. Much so that my communications are completely devoid of partiality, usually. My e-mails have an antiseptic disposition, perfectly masked by the verbosity inherent in my writing. Despite being the branding and marketing lead. Hahaha! Talk about contradiction.
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